À¹¶¯½ç                             

«Ø¿vª«

GUGGENHEIM HERMETAGE

LAS VEGAS

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OMA, RENM COOLHAAS

¦~¥N

2001

¦aÂI

LAS VEGAS

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(1)CULTURAL, URBAN AND ECNOMIC SYNERGY - BILBAO MUMEUM, 1977

(2)GUGGENHEIM FOUNDATION ¡V HERMITAGE(ST PERTERSBURG), ZKM

NEW YORK/ BILBOA/ VENICE/ BERLIN/ LAS VEGAS IN OPERATION

TOKYO/ OSAKA/ SAO. PAULO/NEW YORK/SALZBURG IN PLANNING

(3)HOTEL VENICE-100,000 VISITORS/DAY

THEME PARK 0F SPETACULAR SHOWMANSHIP AND CONVERGENCE

CANALS, GONDOLIERS, PIAZZA,CAMPANILE, RIALTO, DOGES PALACE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


¤ÀªR

­·®æ¡G

VENTURI

IMATERAILBILITY

AND VIRTUALITY

¡¥MACHINE¡¦IN AN URBAN CONTEXT

INDEFINITY

                           

³]­p¡G

l          SERENITY AND ORDERI IN THE VACUOUS VALGARITY OF LAS VEGAS

´À±e«UªÅµêªº½ä«°±a¨Ó

¹çÀR»P¯´§Ç

l          REPOSITES TO THE WORLD¡¦S CAPITAL OF KITSH OF MINIMALSIM AND ELEGANCE

¥H²³æ¤ÎÀu¶®¤âªk,ª`¤J¤uÃÀºë¯«(CORTEN STEEL PLATES - TATAMI MATTED FLOOR)

 

 

 

 

 

 

 

 

 

 

®i¥Ü¾÷¯à

¾÷¨®¡A°Û¤ù, ¥Í¬¡¥Î¨ã

THE ART OF MOTORCYCLE-EDWIN CHAN

 

 

 

GUGGENHEIM LAS VEGAS- RAW AND EXPANSICE

 
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


­·®æ¡G

              

 

³]­p¡G

DELIMIT

AN AREA OF

PARODY

(STUPID IMITATION)

AND VANACULAR

OVERSTATE-MENT

 

QUESTION:

ART AND

CULTURAL

SHOPPING

SOLUTION:

SET INTO PLACE ARARNGEMENTS OF DIFFERENT KINDS OF DATA

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


®i¥Ü¾÷¯à

¨F¬Ó®É¥N¤åª«

 

 

 

HERMITAGE- INTIMATE AND TAILORED

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

LARCH

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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