Chao Hsin-Yi's art works collection

【JOYIDA Group: Chao Hsin-Yi, Jolanda Jansen, 陳仁德】

2006.5.19~2006.5.21

Here as the Centre of the World

(ㄧ)理念簡述

Surface‧Aspect‧Container‧Volume -The hypothesis of urban architecture
This piece is a creation derived from a person’s thoughts on space and architecture. The space, built from the surface of the earth was given the concept of volume to create relationships with human activities. The clustered architectural constructions on the streets are often built with scaffolds and protected by dustcovers. This announces to the world that the street space and mobile visual are about to change; urban landscape is going to change along with the architecture. Similarly, the relationship between space and people will also encounter transformation due from the structure and destroy of architectures.

The exhibition theme ‘Surface, Aspect, Container, Volume’ needs to be broken down into four components in order to explore on the concepts of architecture and space. ‘Surface’ not only represents the visual surface of all objects and space but also the visual embellishments people feel towards space or architectures. All layers pile up to deliver a surface that is conceptually visible. The concept of ‘Aspect’, from the creator’s point of view, is the external cover of an object’s volume; it covers the true soils, walls, ceilings and both naturally or manually determined perpendicular and horizontal physical concepts without the building materials or the embellishments of the object itself. To continue the extension of visual perception, ‘Container’ further addresses the idea of space being a physical container. The internal space, derived from the establishment of a surface, reflects from the interior to the exterior space and therefore places itself naturally into a container. ‘Volume’ implies the scope that is physically mobile. The container volume composed from the surface creates a mini-representation of exterior space that allows one to access to the internal space from the routes that connects from the exterior. The scope and restrictions of physical mobility tightly concern the various extensions of one’s being and time.

主題：『工地的非工地狀態/非工地的工地狀態』
時間：2005/8/12(五) PM7:30~10:30
地點：南海藝廊2F

「ROYAL ELASTICS FREE ART」

作品聯展OPENING PARTY
日期：2005.11.18 (Friday)

文/王璽安

建築物的結構與表面、用來寫字或畫畫的紙張、拍攝的相片紙、裝潢的木材等等。這些都是表面，我們透過這些表面進行著日常的種種生活。而這些也都是常見的東西。
而在藝術創作裡，我們常看到像是畫布或是紙張，也都是各種表面，在藝術的創作中這種表面也是常見的。但是如果不只是在於去描畫一個形狀或是圖案的時候，紙張跟畫布或是木板與一般的物質是無異的。

展出者：王亮尹‧王璽安‧劉躍‧劉芸怡‧羅志宇‧趙欣怡‧林峰毅‧鍾順達
展覽日期：94.9.17-94.10.9
展出地點：嘉義鐵道藝術村四號倉庫