光線與空間達到合諧 (source 3)


簡潔的室內空間 (source 3)


室內空間的神聖向度 (source 3)


富立體感的立面 (source 3)


立面非常簡單乾淨 (source 3)


教堂與週遭建物的關係 (source 3)


配置圖 (source 4)

Santa Maria Church  Marco de Canavezes, Portugal


"One of Siza's masterpieces is undeniably the church in Marco de Canavezes, a space where he assigns a sacred dimension, as it were, to the light".
Marc Dubois


Santa Maria Church 被規劃為 Marco de Canavezes 地區的教區中心,並形成一個小型都市廣場。Siza提出的計劃由教堂扮演主角,且維持與其他鄰里建築物和諧的關係。

教堂的計劃是簡單長30公尺、寬16.5公尺、向上延伸16.5公尺的長方形,大門在教堂中央,祭壇在末端。 通過3公尺寬的中央走道,Siza設計了400張木椅面對祭壇,連其中一個大理石塊也設計了。長方形量體在教堂中殿的一邊,包含側向延伸的祭壇,以及聖器室、告解室。這些空間由樓梯連接。

自然光線被裁切穿過三個開口,進入教堂內被刻意彎曲的西北向牆壁。水平天花板帶過一個低的開口,沿著外型構築於鄰近山型的東南向牆壁。然後光以兩個輕軸帶的方式帶入祭壇。

建材的使用是Siza建築的特點:內外牆和天花板加強粉刷灰泥,部分外披瓦片或大理石藉以防水。地板使用木材、花崗岩和大理石;屋頂由鋅板覆蓋。 使用地方特有的建築技術以減少費用,Siza關注每個細節。

最後,必須強調許多關於Santa Maria Church的敘述,無法取代實際體驗建築空間時的震撼。


The Santa Maria Church in Marco de Canavezes is part of an overall complex that, together with a planned Parish Center, will form a small urban square.

It was the parish priest Father Nuno Higino’s personal decision to call on Siza, and to invest himself fully in this very ambitious project.

The proposed plan by Alvaro Siza, with the church playing a central role, will ensure that the other buildings will be in concordance with the pre-existing scale of the neighbourhood.

You access the raised platform of the church yard via a ramp from the east or three broad flights of steps from the West; the two landings correspond to the layout of the city streets.

There is a direct access to the Chapel of Rest from from adjacent land which is the property of the Santa Casa da Misericordia.

The facade (17.5 x 17.5 square meter ) is in three sections with two projecting towers. The 10 meter high temporary grey steel doors will eventually be replaced by bronze doors.

One of the projecting towers in the facade contain the Baptistery that, clad entirely in locally made tiles, rises to the full height of the tower. Flooded with light, the simple stone font, placed in the center, can be viewed through a window in the tower.

In the other tower you enter through one of two large glass panels. The glass panels in the towers symbolise the “transparency” of the church.

This entrance lobby, used during the winter months, also contain the stairway to the Organ and bells.

The plan of the church is a simple 30 meter long, 16.5 meter wide and 16,5 meter high rectangle with the main entrance at the South West end of the nave and the altar at the other end.

A 3 meter wide central aisle, with 400 wooden chairs designed by Siza on either side leads to the altar; a solid marble block also designed by Siza.

A rectangular volume on one side of the nave contains the lateral extension of the altar, the sacristy, registry, and confessional rooms. A stairway and elevator connect these spaces to the chapel below.

Natural light enters the church through three large openings cut into the curved form of the deepened north-west wall at ceiling level and through a low horizontal opening along the south-east wall that frame a view of the neighbouring mountains.

Two light shafts bring in the light the behind the altar and also admits light into the mortuary chapel below.

The materials are typical of Siza with the external walls of whitewashed reinforced concrete, internal walls and ceilings of stucco; with tiles or marble where there is running water. The floors are of wood, granite and marble. The roof is of zinc sheeting. Local construction techniques were used to reduce costs.

Siza’s signature is on every detail.

Having read many articles about the Santa Maria Church I was once again reminded that no graphic representation can adequately substitu.

 

Project:
Parochial Centre of Marco de Canavezes, near Porto

Stage One: 1990-1996

The program for Santa Maria Church is distributed amongst three two-storey buildings. A church and mortuary chapel, an auditorium and Sunday-school and a house for the parish priest.

Total Site: 5470 square meters
Total area to be constructed: 3477 square meters
Church: 732 square meters
Chapel of Rest: 452 square meters
Vestibule: 240 square meters

Architects
Alvaro Siza with Architect Rolando Torgo
Collaboration:
Architect: Edite Rosa
Architecture students:
Helena Torgo
Tiago Falcao

Engineering:
Concrete structures: Eng. Joao Maria Sobreira,
Joao Araujo Sobreira
Jorge Silva
Arch. Humberto Vieira
Electricity:
Eng. Raul Serafim Silva
Jose Sousa Guedes.
Water installation:
Eng. Ines Sobreira
Mechanics:
Eng. Alfredo Costa Pereira

Santa Maria Church是第一個選定的案例,但因後來發現資料有誤應為1997年所建,故新增2005年Serpentine Gallery Pavilion的案例。

Santa Maria Church的外觀也是非常的簡潔,有時甚至讓人誤以為是建築師的偷懶造成。但仔細品味這座教堂之後,會發現這樣的手法使用在教堂建築上竟是如此的適當。

建築量體是一個巨大的白色立方體,角隅的部份以弧線作收,外觀看起來沒有非常特別之處。但也可能是過於平凡,才顯得不凡。建築物在相鄰的環境中能夠引起注目,卻又不造成打擾,只是安靜的座落在那裡。Siza的作品總是達到讓人說不出理由的合諧。

禮拜堂的室內空間是最讓人激賞的部份。白色潔淨的壁面,挑高的屋頂,以及多重曲折的牆面圍塑出的視覺效果,加以控制的開窗,讓光線經過設計卻又自然的映入,神聖的光灑落在每個人的靈。

Siza塑造的教堂空間只有一種純粹,帶給人心靈上的純淨。以材料、光線及空間的特性組成,包括白色灰泥的牆面、輕質的木地板與傢俱、甚至擺放的聖器,開口中透出的光線映照到整個教堂,給人一體的流暢感,不至於因為單純的量體而感到封閉。

另外,Siza也使用了當地的特有的建材和建築技術,除了回應當地的特性之外,還達到了節約經費的效果。整座教堂像是一個雕塑品般的矗立在教區中心,像個舉止合宜的紳士一般。 (by B9313002)

 

資料來源
http://www.ducciomalagamba.com/ElemActivos/161-siza/index.htm (source 3)
http://www.arcspace.com/architects/siza/Santa_Maria_Church/index.htm (source 4) http://www.ordinearchitetti.mi.it/concorsi/esiti/fratesolimg.htm (source 5)


室內空間 (source 5)
室內空間3D模型 (by B9313002)
外觀3D模型 (by B9313002)
外觀3D模型 (by B9313002)
外觀3D模型 (by B9313002)


sketch by Siza (source 4)

sketch by Siza (source 4)


北向立剖面圖 (source 5)


長向剖面圖(注意其平屋頂板構造) (source 5)


東向立面圖(地面並非在一平面) (source 5)


短向剖面圖 (source 5)

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